I have a weakness for “Pagan” decks even though I recognize, as a non-Wiccan, that most of them don’t cater to people who aren’t some flavour of Wiccan. Usually I like to wait until decks come out to get a glimpse of as much of the art as possible, but in this case, I was captivated as soon as the first preview images were available.
The author of the companion book is Ann Moura, and the artist is
The major draw of this deck for me is the art. The deck has a very romanticized rustic feel, from the Knight of Pentacles atop her sturdy workhorse to the dramatic Wild Hunt scene in the titular Wild Hunt card (the Tower in traditional tarot), to the beautiful fairy bathing in a pool in the Star. This deck is a feast for the eyes, and each has a plant and animal associated with it that is featured on that card. The images are just detailed enough to spark your intuition but not so detailed that the cards seem busy. It really is easy to get lost in these images. Many of the images in poster form could easily fit into a ritual room if you’re into a certain “witchy” aesthetic.
The book is a full companion book that is about 240 pages. Every card gets a large black and white image and about a page of information. The majors also have a section where you can write notes. The book also includes seven spreads: Witch’s Circle (Celtic Cross), Elemental Cross, Wheel of the Year, Mystic Pyramid, Nine-Card Square, a Yes/No spread, and a Tree of Life spread.
Although all four seasons are depicted in this deck, this deck has a very autumnal feel to me, or at least a harvest theme. As someone who loves autumn and farmer’s markets, I immediately took to this deck. It’s the sort of deck you can curl up with in front of a fire with a hot drink. In some ways it reminds me of the Victorian Fairy Tarot. As for how it reads, I’d say the deck did pretty good with test readings, and a single card can tell some interesting stories.
That said, I did have a few issues with this deck. The deck is a very white deck, and there isn’t a lot of variation in the faces of the characters (the same man with the dark goatee shows up in multiple cards), except for two cards, which depict men of size, and one that depicts a pregnant woman, there’s no variation in body type either. The book also focuses on the positive, acting as if the dire events in some cards (like the Three of Athames) have already happened. While it’s not as unfailingly positive as some of my other decks, some might be put off by it. My other issue with this deck is that the interpretations in the book are overwhelmingly focused on career-specific advice. This would be fine if the deck was called “Career Advice for the Green Witch” but my impression based on promotional materials was that it could be used for more general readings. It’s not unusable by any means, it just would have been nice to have more general interpretations that didn’t have anything to do with advancing your career. A couple of the images also appeared to be a bit stretched, which didn’t really bother me until someone else pointed it out. On a more personal level, I really don’t like the Fool/Greenman card, which depicts a giant floating Green Man head above what seems to be some sort of festival scene. It just felt really jarring to have that be the first image I saw of the deck.
In sum, this deck is a vibrant, comforting deck only slightly let down by the companion book’s focus on career and and it’s positive slant. I should also note that Anne Moura’s books are full of the same sort of misinformation that plagues other Llewellyn Wiccan 101 books, so I wouldn’t see this as an exhaustive resource on the tarot. Still, despite its shortcomings (especially its lack of diversity) it’s one of my favourite decks of 2015 and one I’ll be using quite frequently.