Look at this cover. Isn’t it just the prettiest cover?
The world of Primoria is divided into eight kingdoms: the four rhythm kingdoms, which cycle through all four seasons, and the season kingdoms, which have only one season year round. Each kingdom’s monarch possesses a Conduit-and artifact of great magical power which they use to protect their people and cause their kingdoms to prosper. Then Spring invaded Winter, killing its queen, breaking its conduit, and enslaving its people. The few survivors of the conquest include Meira, an orphan girl who only wants what’s best for her country, and Mather, the young future king of Winter. When these rebels hear word that the pieces of Winter’s broken conduit are nearby, Meira embarks on a dangerous mission to take them back for her country.
At first I was having a blast with this book. Sure, it’s basically “young Xena” since Meira’s weapon of choice is a chakram, but I think you could hand me a book with the most thinly disguised Xena and I wouldn’t complain. I also found the writing easily engaged my senses: I could hear the crackling of fire and taste the frozen berries that are a popular treat in Winter. Unfortunately, the book quickly gives up on the sneaking and stealing from Spring soldiers in favour of politicking, and depicting people in horrible conditions. This is where the book started to wear on me for a couple reasons:
- For someone who claims to want to do anything for her country, Meira is rude and childish towards a king who is the best chance they have of getting any help. She even admits that she’s throwing a temper tantrum and it’s childish of her.
- Oh look, a love triangle.
In a nutshell, Meira is betrothed to the king’s son, Theron, because this is What’s Best For Winter, Meira, naturally, isn’t too thrilled with the idea (especially since she has a very obvious crush on Mather) but Theron seems like a decent guy. Then he gets into a sparring match with Mather over Meira because it isn’t a love triangle unless the love interests duel at one point, that’s just how it goes. Also, it’s really obvious which one “wins” the relationship game, I honestly don’t know why some authors bother if there’s no contest between the potential love interests.
The other issue I have with this book is that it’s a book about oppression and prejudice that is almost completely erased of actual marginalized people. Autumn is a kingdom of dark-skinned people, but the Autumnians are barely in the book. Winterians apparently have the same phenotype: white skin, white hair, blue eyes, and it was difficult for me to root for these characters when they are literally the whitest of white people, although the scene in the underground “catacombs” where the Winterians record stories and customs of their homeland was poignant. Unsurprisingly, it’s also very heteronormative and cisnormative as well, it’s a shame, because there’s a plot point that could have lent itself well to one character being trans but that’s not what happens or I’d probably be praising it more.
Also, is it just me, or is “girls dreaming of dead queens” a genre now? This is the second young adult book I’ve read that has this as a plot point (the other is Throne of Glass).
Snow Like Ashes has some good ideas, and its not as blatantly offensive as something like The Queen of the Tearling, but it feels like it doesn’t do anything new with what it has. It’s your basic “girl power” fantasy, if you like those, you might like this. If you want another book in the same vein, I thought Throne of Glass was fun (if not very diverse either).